An installation project by Yannick Jacquet
Music by Before Tigers
The installation
Remote Memories is a polyptych in panoramic format, a large canvas of video
and sound. This highly pictorial work resists immediate apprehension; rather it needs to be
observed a moment, contemplated in order to grasp its minor details. Textures are
superimposed and interlaced, creating atmospheres that vibrate with neither line nor contour – a
sort of “sfumato video.” The image that seems fixed at first is criss-crossed by almost
imperceptible waves, likea brownian movement that shakes a gas’s particles. Glimmers,
colours, shapes unknown or anxious seem to emerge and disappear as if glimpsed through
thick fog.
The soundtrack broadcasted through a series of 11 vibration speakers makes use of the
canvas’ wooden panels as a sound box. Just like its visual counterpart, it is composed of vibrant
textures superimposed on one another and creating a “drone” that alternates between brooding
moods and more luminous sounds.
There is no question of audio-reactivity here since the images and sounds evolve at their own
rhythm, mixing, losing ground, drifting, letting chance and coincidence create new interactions
endlessly.
Remote Memories & the Six Cycles Orchestra is a live performance adapted from the
installation.
Using the same set-up, augmented with six turntables and a collection of custom-made vinyls
with locked grooves, Before Tigers paints a soundscape in conversation with the work’s visual
element.
Both the installation and the live performance explore the tensions engendered by a certain
conception of slowness, inviting the viewer to engage in contemplation.